Mikhail Baryshnikov performs in three ballets full of human drama, choreographed by Twyla Tharp. In one sense, they all tell the same story - the vitality, daring, intelligence, and emotional depth that a great dancer possesses, and a brilliant choreographer's vision of that dancer and of dance itself.
As Mikhail Baryshnikov says in the commentary that links the ballets, Twyla Tharp is "classical but in a new way." She has the classical artist's regard for form and technique and a musicality that some compare to that of George Balanchine, but her approach is always personal, radical and contemporary.
The Little Ballet The Little Ballet, to music by Alexander Glazounov, offers Baryshnikov, Deirdre Carberry, and three other American Ballet Theater dancers in a sweet-tempered, fluid work that makes subtle allusions to the dreamer-hero-elusive-heroine ballets of the 19th century.
Sinatra Suite In Sinatra Suite, Baryshnikov and Elaine Kudo evoke the less innocent world of Sinatra's moody, bittersweet voice - from thetender "Strangers in the Night" to the tough and contentious "That's Life."
Push Comes to Shove Push Comes to Shove, created by Tharp in 1976 for American Ballet Theater, can be seen as a witty and affectionate tribute to a major ballet company - its casual rehearsal behavior and backstage commotion, as well as its traditional grandeur and polished performing.